Choreography and concept: Martin Bélanger
Performers: Katie Ewald, Claudia Fancello, Anne LeBeau, Peter Trosztmer, Stephen Thompson and Bélanger (with Julie-Andrée T., Jean-Sébastian Durocher and Jean Jauvin)
Music research: Jean-Sébastien Durocher
Lighting: Jean Jauvin
Premiere: L’Agora de la danse, April 2008
Commissioning partners: The Canada Dance Festival, L’Agora de la danse, The Brian Webb Dance Company, Centennial Theatre (through La Danse sur les routes du Quebec), Live Art Dance Productions, and The CanDance Network.
The title of the work is inspired by a research principle whereby fundamentalist physicists attempt to describe the great universal theory that would include and incorporate all theories elaborated up until now, from micro to macro theories, from the Newtonian mechanical system to quantum physics.
Along these lines, Martin Belanger is driven to explore the hypothesis of a stage production that would include several schools, styles and avenues- both sacred and profane- that could be described as being both artistic and commercial, both underground and mainstream.
Performers: Katie Ewald, Claudia Fancello, Anne LeBeau, Peter Trosztmer, Stephen Thompson and Bélanger (with Julie-Andrée T., Jean-Sébastian Durocher and Jean Jauvin)
Music research: Jean-Sébastien Durocher
Lighting: Jean Jauvin
Premiere: L’Agora de la danse, April 2008
Commissioning partners: The Canada Dance Festival, L’Agora de la danse, The Brian Webb Dance Company, Centennial Theatre (through La Danse sur les routes du Quebec), Live Art Dance Productions, and The CanDance Network.
The title of the work is inspired by a research principle whereby fundamentalist physicists attempt to describe the great universal theory that would include and incorporate all theories elaborated up until now, from micro to macro theories, from the Newtonian mechanical system to quantum physics.
Along these lines, Martin Belanger is driven to explore the hypothesis of a stage production that would include several schools, styles and avenues- both sacred and profane- that could be described as being both artistic and commercial, both underground and mainstream.
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